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NewsAre New Trends Over at Moscow’s Tretyakov Gallery?
Alisa Dudakova-Kashuro

06 November, 2024

God as Composer: How Music Defines Creation for Alexander ManotskovNewsGod as Composer: How Music Defines Creation for Alexander Manotskov
Alexey Munipov

04 November, 2024

Russian Collectors Shun AbstractionArt MarketRussian Collectors Shun Abstraction
Jo Vickery

01 November, 2024

Artists Exiled in Paris on their Experiences of CensorshipNewsArtists Exiled in Paris on their Experiences of Censorship
Sergey Khachaturov

30 October, 2024

Magic Mushrooms in the UralsNewsMagic Mushrooms in the Urals
Anna Galayda

28 October, 2024

Cosmoscow Brings the Art Crowd to the SuburbsArt MarketCosmoscow Brings the Art Crowd to the Suburbs
Ekaterina Wagner

25 October, 2024

Enter Stage Left: Waiting for the Trickster BearPeopleEnter Stage Left: Waiting for the Trickster Bear
Alistair Hicks

23 October, 2024

From Text to Textile: Serebrennikov’s Misunderstood Don CarloNewsFrom Text to Textile: Serebrennikov’s Misunderstood Don Carlo
Alexander Kurmachev

21 October, 2024

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Roman Sakin: the result of art is more important than the process
01 November, 2024

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DiscoveriesKupriyanov’s Mistake: Why Archive-Based Art Does Not Age Well
Mikhail Sidlin

18 October, 2024

NewsLithuania in the Spotlight at the Pompidou
Julia Cserba

16 October, 2024

DiscoveriesUps and Downs of Remote Curating and Artistic Production
Sergey Guskov

14 October, 2024

DiscoveriesIt used to be a Gulag: Artists on Memory and Forgetting
Ekaterina Wagner

11 October, 2024

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