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Semyon Faibisovich is a misfit and he's proud of itPeopleSemyon Faibisovich is a misfit and he's proud of it
Andrew Freeburg

27 March, 2019

Alexander Shishkin-Hokusai: a fantasy in plywoodPeopleAlexander Shishkin-Hokusai: a fantasy in plywood
Ekaterina Wagner

11 March, 2019

Natalia Opaleva: birth of a museumPeopleNatalia Opaleva: birth of a museum
Sophia Kishkovsky

10 March, 2019

Valery Dudakov: Art as a ReligionPeopleValery Dudakov: Art as a Religion
Sophia Kishkovsky

04 February, 2019

Olga Uskova: from a software company to Abstract artPeopleOlga Uskova: from a software company to Abstract art
Isabel Gorst

20 December, 2018

Anya Zholud: The Quiet Art of an Unquiet MindPeopleAnya Zholud: The Quiet Art of an Unquiet Mind
Naomi Polonsky

10 December, 2018

Erik Bulatov: “Freedom is the Road”PeopleErik Bulatov: “Freedom is the Road”
Ekaterina Wagner

19 November, 2018

Mikhail Alshibaya: The surgeon’s art, and a mission to preserve the pastPeopleMikhail Alshibaya: The surgeon’s art, and a mission to preserve the past
Richard Wallis

17 November, 2018

Alexander Petlyura: a poet of flea markets and rubbish dumpsPeopleAlexander Petlyura: a poet of flea markets and rubbish dumps
Isabel Gorst

23 October, 2018

Viktor Pivovarov’s walk down memory lanePeopleViktor Pivovarov’s walk down memory lane
Richard Wallis

22 October, 2018

Pyotr Aven: is Russian contemporary art waiting for Godot?PeoplePyotr Aven: is Russian contemporary art waiting for Godot?
Richard Wallis

16 October, 2018

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