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Volkostrelov’s Radical Vision: Transforming Russian Theatre and OperaPeopleVolkostrelov’s Radical Vision: Transforming Russian Theatre and Opera
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Myth in a Family DramaNewsMyth in a Family Drama
Marina Davydova

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Koshlyakov meets Weinberg in a genre-defying opera about the three Muskateers in Nizhny NovgorodNewsKoshlyakov meets Weinberg in a genre-defying opera about the three Muskateers in Nizhny Novgorod
Marina Gaykovich

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Premiere of Serebrennikov’s ‘Life with an Idiot’ in ZurichNewsPremiere of Serebrennikov’s ‘Life with an Idiot’ in Zurich
Nika Parkhomovskaya

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God as Composer: How Music Defines Creation for Alexander ManotskovNewsGod as Composer: How Music Defines Creation for Alexander Manotskov
Alexey Munipov

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From Text to Textile: Serebrennikov’s Misunderstood Don CarloNewsFrom Text to Textile: Serebrennikov’s Misunderstood Don Carlo
Alexander Kurmachev

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Talent Drain Mires Russia’s Classical Music SceneDiscoveriesTalent Drain Mires Russia’s Classical Music Scene
Marina Gaykovich

16 August, 2024

Capitalism Kills Love: Serebrennikov’s Marriage of Figaro in BerlinNewsCapitalism Kills Love: Serebrennikov’s Marriage of Figaro in Berlin
Anna Matveeva

17 May, 2024

Is ‘Così Fan Tutte’ by Dmitri Tcherniakov a statement?NewsIs ‘Così Fan Tutte’ by Dmitri Tcherniakov a statement?
Alisa Safonova

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